Beyond the Edge of the Sea, artist and scientist explore unknown depths together

Oasisia Cluster, Paralvinella Godzilla, and Bathymodiolus Heckerae Open, by Karen Jacobsen

Dr. Cindy Lee Van Dover of Duke University is captivated by the hidden world in the deep ocean. Over 15 years of collaborative research with watercolor artist Karen Jacobsen has culminated in the traveling exhibition Beyond the Edge of the Sea. Excerpts of scientific illustrations from Jacobsen’s notebooks are illuminated by Van Dover’s natural history writing and personal narratives in this exhibition. Precise renderings by Jacobsen of the strange ocean floor and deep-sea life forms allow the viewer to enter a landscape of hydrothermal vents, tube-like creatures, bivalves, and crustaceans.

Both Van Dover and Jacobsen are motivated by exploring the unknown. With this exhibition, they document new species, bring light to the dark depths of the underwater world, and promote ocean conservation. The knowledge that the two disciplines present as a team is more robust and stimulating than either alone. The exhibition encourages interdisciplinary study and reaches a wide audience.

Dr. Van Dover regularly takes oceanographic cruises with artists, scientists, and students through her Van Dover Lab, Duke University. She is a Navy-certified pilot and the first female to pilot the deep-sea submersible Alvin. She has published over 80 scholarly articles and has authored critically-acclaimed books including Deep-Ocean Journeys, a.k.a. The Octopus’s Garden, for a general audience, and The Ecology of Deep-Sea Hydrothermal Vents, Princeton University Press. Dr. Van Dover is a Fulbright Scholar and professor of Biological Oceanography at Duke University where she serves as Chair of the Division of Marine Science and Conservation of the Nicholas School of the Environment, Director of the Undergraduate Certificate in Marine Science and Conservation, and Director of the Marine Laboratory.

Karen Jacobsen and Dr. Cindy Lee Van Dover are again cruising together next month, exploring seeps around Barbados, joined by a crew of creatives.

T’ui Malila by Karen Jacobsen

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Collaborative art exhibition “Melting Ice” bridges art and science

Subhankar Banerjee, Caribou Migration I, 2002.

Created for the U.N.’s World Environment Day 2007 in partnership with the Natural World Museum, “Melting Ice/A Hot Topic; Envisioning Change” is a 42-person collaborative exhibition which catalogs thawing ice, snow, and permafrost worldwide, as well as wide-reaching effects on culture and the environment.  Featuring a range of approaches, the art has been presented for the public’s learning experience at natural history and cultural centers, such as Oslo’s Nobel Peace Center (2007) and Chicago’s Field Museum (2008).  The exhibition was promoted by the non-profit organization Art Works for Change, a group that partners with leading educational and activist institutions to produce and curate art exhibitions on social and environmental issues.

The innovative Field Museum has also hosted an educational exhibit titled “Climate Change” (2010) and continues community engagement projects in “climate action” and conservation.  John W. McCarter Jr., President and CEO of The Field Museum is quoted as saying: “Climate change is one of the most crucial issues of our time. Through exhibitions such as this, museums can inform and educate the public about the causes and effects of climate change while also providing ideas for practical, long-range solutions.”

As far as bringing solutions to the table, artists featured in “Melting Ice” such as Newton and Helen Mayer Harrison have influenced policy makers and consistently reach beyond the art world through their research-oriented installations and collaborative studio approach.  In the article Can art help climate change?, The Guardian said that “…the exhibition proved over and over again that artists can successfully tackle this subject, making their points succinctly and powerfully.”

Newton and Helen Mayer Harrison, Peninsula Europe I, 2000-2004.

The US exhibitors also include sonic artist Andrea Polli, photographer Chris Jordan, filmmakers David and Hi-Jin Hodge (US & Korea), tapestry artists Era and Don Farnsworth, ad agency Free Range Studio, videographer Jacob McKean, multi-media artist Justin Young, sculptor and Guggenheim Fellow Margaret Cogswell, photographer Sant Khalsa, photography and sculpture collaborators Shana and Robert ParkeHarrison, photographer Sebastian Copeland, photographer and writer Subhankar Banerjee (India & US), painter Theo Wujcik, and painter and installation artist Xavier Cortada.

International artists include Alfio Bonano (Denmark), Ana Prvacki (Serbia), Angela Lergo (Spain), Anne Senstad (Norway), Cecilia Paredes (Peru), Dalibar Martinis (Croatia), David Buckland (UK), David Nash (Wales), David Trubridge (New Zealand), Fred Ivar Ultsi Klemetsen (Norway), Gary Hume (UK), Gilles Mingasson (France), Ichi Ikeda (Japan), The Icelandic Love Corporation, Ives Maes (Belgium), Jonas Liveröd (Sweden), Kahn & Selesnick (England), Laura Horelli (Finland), Lucy & Jorge Orta (England & Argentina), Mona Hatoum (Lebanon), Philippe Pastor (Monaco), Queen Sonja of Norway, Robert Bateman (Canada), Siobhan Davies (UK), Strijdom van der Merwe (South Africa), Sven Pahlsson (Norway), Sveln Flygari Johansen (Norway), and Yoshiaki Kaihatsu (Japan).

Yoshiaki Kahaitsu, Teahouse.

The Icelandic Love Corporation, excerpt from Dynasty (video), 2007.

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J. Henry Fair’s global perspective

J. Henry Fair is an aerial photographer and environmental activist whose series “Industrial Scars” appeared at Charleston, South Carolina’s Gibbes Museum of Art in 2011. His work is gaining worldwide recognition, including a recent TEDx talk in Berlin. His visually stunning photographs depict disturbing scenes, an idea he calls “dissonance” that endows his big-picture views power.

He has first-hand access to industrial activities happening around the globe, which he shares in his talk. Among other scarcely reported stories he presents, it was surprising to hear that the BP’s Deepwater Horizon well in the Gulf of Mexico is again leaking.

J. Henry Fair won the first-place prize in the 2012 Earth Through a Lens photography competition, Palm Springs, CA.

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